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A publication of Women In Film and Television International... FALL 2008 |
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| NEWS FLASH |
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WIFTI is celebrating our tenth anniversary year. We now boast 39 chapters worldwide with more than 10,000 members on every continent but Antartica. Anyone in Antartica want to form a chapter?
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| NEW PHOTO GALLERY
Photos from the Mini Summit are Online |
Tour of the Danish Film School with host Annie Worsoe
Mini-Summit delegates tour the Danish Film School with host Annie Worsoe (second row, right), Assistant Director of the renowned school and longtime WIFT-Denmark member. Annie attended the WIFTI World Summits in Jamaica and New Zealand. Check out the photo gallery for more pictures. | |
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| LETTER FROM THE WIFTI CHAIR |
Dear WIFTI Chapters,
What is Women In Film and Television International? And why is it important to become a member chapter? As a global network comprised of over 39 chapters, WIFTI provides member chapters with an amazing worldwide sisterhood of over 10,000 women in the Industry. For ten years, WIFTI has been dedicated to advancing professional development and achievement for women working in all areas of film, video and other screen-based media. To accomplish this goal, WIFTI provides networking , learning and fundraising opportunities such as the yearly WIFTI Short Film Showcase every March in celebration of International Women's Day, the biennial World Summit, scholarships, a film finishing fund and a presence at major worldwide film festivals, to name a few. Most importantly, WIFTI offers help and encouragement to women who aspire to work in the film and TV industries as well as seasoned professionals.
Recently, members of the WIFTI Board of Directors met for our annual board meetings (known as the WIFTI Mini-Summit) in Copenhagen, Denmark. Besides reviewing the past year's accomplishments and planning for WIFTI's future, we met with members of the Swedish and Danish chapters during a number of events they planned for us, their visitors from across the globe. I met new people and made new friends, as well as valuable business contacts. This is an example of an important benefit of WIFTI membership - networking opportunities that provide chances to learn and grow, both as private individuals and as businesswomen.
The Mini-Summit in Denmark also hosted the first ever WIFTI Presidents' Conference Call - we were able to talk to the chapter presidents all together at one time! Presidents of any WIFTI chapter who wanted to participate spent an hour on conference call asking questions and sharing ideas with one another - ideas that can be implemented by chapters wherever they are located.
There are many other benefits to membership in Women In Film and Television International besides those I have mentioned in this letter. I hope to highlight others in our next newsletter. Check out our website at www.wifti.org to see new opportunities and upcoming events, as well as our on-line member directory. WIFTI can only be as effective as our members, so it's up to you to get involved!
WIFTI Chair
Eileen Hoeter
WIFT-Vancouver,Canada
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| WIFTI HISTORY MADE IN DENMARK IN AUGUST 2008 |
First European Mini-Summit Board of Directors meetings held in Copenhagen during which occurred first Presidents' Conference Call for member chapters to share ideas and ask questions of WIFTI Board
Copenhagen, Denmark. History was made when Denmark became the first European city to host Women In Film and Television International's (WIFTI) Mini-Summit on August 14-16, 2008. From across the globe, members of WIFTI's Board of Directors travelled to the fairy tale city of Copenhagen for their annual meetings, known as the WIFTI Mini-Summit, where the business of WIFTI is discussed and future plans determined for this worldwide network of over 35 Women in Film, Women In Film and Video or Women In Film and Television chapters. The Board who attended the Danish Mini-Summit came from WIFTI member chapters in New Zealand, Sweden, Canada, the United States and Denmark, representing the cities of Auckland, Stockholm, Vancouver, Atlanta, Los Angeles, New York, Dallas, Baltimore and Copenhagen.
Another historic "first" occurred in Denmark with the "Presidents' Conference Call". Scheduled for 9PM Danish-time on Friday, August 16, presidents from WIFTI member chapters were invited to call a toll-free number in order to discuss topics that had been submitted and vetted by the BOD in advance, particularly about fundraising. Calls came in from the WIFTI member chapters in New South Wales, Australia; Atlanta, Georgia, USA; New York, New York, USA; Dallas, Texas, USA; San Francisco, California, USA; Palm Springs, California, USA; to name a few. Ideas for new fundraising opportunities were the hot topic of the evening. The Danish Film School generously provided a room with speaker phone for the historic Call.
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| CLOSE UP WITH....Sherry Richardson - WIFTI Board, Secretary |
Chapter: Women in Film and Television Atlanta (WIFTA). "Television" was added back to the name about two years ago to be more attractive to potential broadcast partners and members who work in television.
Profession(s): I have my own production company, Sage Blue Films, Inc. where we create film and television projects. I also freelance for a variety of production services ranging from producing to editing. I'm an actor as well and have appeared in several commercials and independent films.
Why did you join the WIFTI board?
WIFTA has always had representation on the WIFTI since its beginning. I served as President for WIFTA from 2002-2004. Traditionally, the Atlanta chapter sends the Past President to become the WIFTI liaison, so I came on the WIFTI board after serving as our chapter's President.
What is your best WIFT(I) experience?
One of my most memorable WIFTA experiences is when we were able to honor Jane Fonda with the Humanitarian Award at our 30th Anniversary Gala. After saying "no" three times because she was working on a movie and her memoir, she finally changed her mind after reading a letter I wrote from the heart telling her how much it would mean to me personally and how I thought her presence might inspire one person. One of my favorite WIFTI experiences is attending my first WIFTI Summit in New Zealand where I first realized how enormous and powerful our network really is.
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| CLOSE UP WITH.... Mairi Gunn - WIFTI Board, Membership Chair |
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Chapter: WIFT(Auckland) New Zealand Profession(s): Cinematographer/Documentary Producer Why did you join the WIFTI board? To ensure that New Zealand would continue to be well represented What is your best WIFT(I) experience? Being invited to speak on the Documentary panel at the WIFTI World Summit in LA in 2005. |
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UPCOMING EVENTS |
10/14/2008 - FCTNM hosts a Happy Hour at the Agora of the Festival du Nouveau Cinema - Montreal, Canada 5:00 PM to 10:00 PM - more
10/17/2008 - The Third Annual Women in Film & Video Screenwriters Conference, October 17-19, 2008, is open to aspiring or established screenwriters in the DC metro area. It will provide attendees with insider knowledge about writing for mainstream feature films, thrillers, documentaries, and television, as well as film analysis and financing alternatives. Registration is now open at
11/08/2008 - Palm Springs Chapter hosts their 1st Crystal Awards Luncheon - Palm Springs, CA . more
12/09/2008 - New York Women in Film and Television host their 28th Annual Muse Awards December 9th at the Waldorf Astoria. Stay tuned
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| DID YOU KNOW? |
Between March 5 and March 9, 2008, twenty WIFTI member chapters, in cities as globally diverse as Copenhagen, Pittsburgh and Auckland, presented the third WIFTI Short Film Showcase to celebrate the accomplishments of women filmakers while bringing attention to International Women's Day. The WIFTI Short Film Showcase was a successful global event. Over the course of the four days, a slate of nine outstanding short films, all directed by women and made in countries from Peru to France, was shown simultaneously throughout the world at venues chosen by the participating chapters. read more
- Odense International Film Festival. There was a WIFTI reception at the Odense International Film Festival in Odense, Denmark on August 21, 2008. WIFTI presented them with a small grant to help make the reception possible.
- WIFM - Pittsburgh Opal Awards. WIFM - Pittsburgh presented its Second Opal Awards honoring local women in film and television was held on September 8, 2008 in Pittsburgh at the beautiful One Oxford Center Plaza. This years honorees were Melissa Martin, Director of the PSA for Women and Girls Foundation, Anita Harnish, Director of the PSA for Cribs for Kids and Donna Belajac, Casting Director. read more
- Bay Area Women in Film and Television. In the last few months, BAWIFT (Bay Area Women in Film and Television) which is celebrating its 5th anniversary year, has served as a co-presenter for many beloved and famed San Francisco, California Bay Area film festivals including: The San Francisco International Film Festival, Frameline and The San Francisco Jewish Film Festival. This past July gave BAWIFT a first-time opportunity to serve as a Co-Presenter for The San Francisco Silent Film Festival. BAWIFT was honored to co-present THE ADVENTURES OF PRINCE ACHMED - the earliest surviving feature-length animated film, and the first ever made by a woman (Lotte Reiniger). Simone Nelson, BAWIFT Board President served as a Special Guest at the screening and introduced the film along with film critic Leonard Maltin.
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| WIFTI WORLD SUMMIT HOSTED WANTED |
The bi-annual WIFTI World Summit will take place again next year - but there is still no host chapter. The WIFTI board is in contact with different potential hosts, but if YOUR chapter is interested in hosting the WIFTI World Summit 2009, please let us know now. Just send an e-mail to info@wifti.org by the beginning of November.
The biennial WIFTI World Summit is the biggest international event sponsored by Women In Film and Television International. Members from chapters worldwide meet to network, learn and inspire each other. It's also an amazing chance to showcase your chapter and locale to WIFTI member chapters from around the world! WIFTI provides guidance and advice on how to put on a great World Summit. WIFTI World Summits have been hosted by chapters in North America, Europe and Oceania: Toronto (2007), Los Angeles (2005), New Zealand (2004), Jamaica (2002), London (2000) and Los Angeles (1998). WIFTI's bylaws and procedures were developed in New York in 1997, and adopted when WIFTI was officially established in 1998. |
| CHAPTERS NEWS
WIFTI welcomes our emerging chapter in Ghana |
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The Birth of WIFT GHANA by Juliana Asante.
Hello everyone, this is your newest baby calling. WIFT GHANA has finally been born. WIFT GHANA is a month old and gearing to take on the task ahead. We are presently a very small group, but are positioning ourselves to play a much needed vital role in the industry. Even more so because of the lack of organized bodies in the industry in Ghana. On our immediate agenda, is the building of a website and organizing a workshop focusing on the image of women in the profession. We are still in the process of finalizing timelines and fine tuning memberships.
An emerging chapter is a new chapter which receives advice and encouragement from the Board. After a year grace period, the chapter can become a full member chapter by paying $2US/member as WIFTI dues each year. Full member chapters are entitled to all WIFTI benefits including the International Member Directory and participation in global events.
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| Vancouver advocates for women both internationally and here at home |
| By Peggy Thompson - President WIFTV, Vancouver
Congratulations again to our Spotlight Award winners! They are artists who challenge the status quo and do brilliant work.
All around the world women are coming together to discuss the disturbing statistics regarding women in the industry because we aren't seeing growth in terms of women as directors, producers, writers and cinematographers internationally or here at home in Canada. I've included recent figures from our Canadian film industry that I'd like to share. These numbers come from Please Adjust Your Set, the web site designed by the British Columbia Institute of Film Professionals Women's Initiative. I'm not including these stats to criticize the organizations involved - all of whom do great work - but simply to establish a snapshot of where we are now. Or in some instances, where we're not.
Summer 2008 - Summary of Statistics from "Please Adjust Your Set"
- Telefilm Feature Film Fund Production Recipients (April 2008)
10 films were funded Female producers represented 31%, directors 27%, writers 19%
- Feature films with female directors received a total of $4.4 million, those with male directors $11.8 million
- Feature films with female writers received a total of $3 million, those with male writers $13.2 million.
- Corus Script Development Funding Recipients (March 2008)
48 screenplays were funded Of 55 selected writers, 17 were female (31%).
- Telefilm English Language Feature Film Development Recipients (October 2007)
93 screenplays were funded. Of 112 selected writers, 25 were female (22%)
- Genie Awards 2008 Nominees and Winners
Of the 62 nominations in key positions (producer, director, writer), 20 were female (32%). Of the 17 winners, 9 were female (52%). Gemini Awards 2007 Nominees and Winners. Of the 124 nominations in key positions, 32 were female (25.8%). Of the 20 winners in these positions, 4 were female (20%).
- 2007 TIFF - Canada's Top Ten List
Of the 20 films that made TIFF's Top Ten list, only one (5%) was directed by a woman - and this was a short film.
For further breakdowns and analyses of these figures please visit http://www.pleaseadjustyourset.com
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| The Women in Film Foundation's Film Finishing Fund Helps Fund Female Oscar Winner |
 "FREEHELD" Wins Best Documentary Short Subject at this Year's Academy Awards in Los Angeles, CA, February 26, 2008. Powerful and poignant, Sunday night's 2008 Oscar-winning best documentary short subject Freeheld, by Cynthia Wade and Vanessa Roth, brings the viewer into the struggle of a dying policewoman to ensure that her pension will go to her life partner. This moving and timely story of rights inequality might not have been seen if not for the $5,000 grant it received from the Women In Film Foundation's Film Finishing Fund, helping to fund Freehold's color correction. The film will debut on HBO's Cinemax later this year. "The Women In Film Finishing Fund $5,000 grant came at an absolutely critical time, when we were in the home stretch and I was struggling to cover post production costs -- as an independent woman filmmaker, WIF's support means the world to me," said filmmaker Cynthia Wade.
Freeheld is actually the 2nd Oscar-winning documentary WIFF has funded. The previous winner was Frieda Lee Mock for Maya Lin: A Strong Clear Vision in 1994. What is more, the Foundation has been responsible for 6 additional Oscar Nominees and four Emmy winners since its inception in 1985. The Foundation has awarded more than $2 million in cash and in-kind services to 170 films. Award-nominated works thathave benefited from the Film Finishing Fund include: Oscar Nominees-Las Madres de la Plaza de Mayo (dir: Lourdes Portillo and Susana Muñoz); Beyond Imagining (dir: Wendy Weinberg); Regret To Inform (dir: Barbara Sonneborn); The Fragile Promise of Choice (dir: Beth Seltzer and DorothyFadiman); Speaking in Strings (dir: Paola di Florio); The Collector of Bedford Street (dir: Alice Elliott) Emmy Winners- Men Who Molest: Children Who Survive (prod: Rachel Lyons); Girls Like Us (dir: Jane Wagner and Tina DiFeliciantonio); Animated Women (dir: Patty Wineapple and Sybil Delgaudio); Be Good, Smile Pretty (dir: Tracy Droz Tragos) Critical Favorites from the Film Festival Circuit- American Blackout (Sundance Special Jury Prize; dir: Anastasia King); A Walk into the Sea: Danny Williams and the Warhol Factory (Tribeca Film Festival, NY) Loves Docs; dir: Esther Robinson) "For the past three years, a substantial sponsorship from General Motors allowed the Foundation's Film Finishing Fund to accelerate the work we do on meaningful films like Freeheld with fresh female filmmakers. We're excited about the high profile success from our partnerships melding business and artists," says Foundation Chair, Sharon Lawrence.
The Women In Film Foundation's Film Finishing Fund (FFF) has provided annual cash awards and in-kind production services to ensure that innovative films can be completed and seen by audiences worldwide. Cash awards range from $1,500 to $5,000, with the number of grants varying from year to year. The in-kind grants include postservices such as online editing, sound mixing, color correction, and closed captioning,among others. Film Finishing Fund recipients' films have won many major awards including Emmy and Academy Awards and have screened at festivals worldwide includingSundance, Toronto, Vancouver, San Francisco, Montreal, Berlin, Avignon and Chicago.They have aired nationally on PBS ("Frontline" and "POV") and Showtime, and internationally on various European, Asian, and Australian television channels.
In order to apply for a FFF grant, a filmmaker must have completed principal photography and a rough cut at the time of application. The program funds filmmakers working in both short and long formats in all genres-narrative, documentary, educational, animated and experimental. You do not have to be a Women In Film member to apply for the FFF, and we encourage applications from around the world. Please note that student projects are not eligible to receive Film Finishing Funds.
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| Women in Film and Video of Maryland celebrated its 20th Anniversary at the Maryland Film Festival |
 Baltimore, Maryland. Women In Film and Video of Maryland, Inc. (WIFV-MD) celebrated its twentieth anniversary by hosting a screening of the documentary BETRAYAL followed by a reception for cinematographer/director Ellen Kuras during the 10th annual 2008 Maryland Film Festival in Baltimore on May 3, 2008. It was fitting that WIFV's 20th Anniversary was celebrated at Maryland's premiere film community event, the Maryland Film Festival. The Director of the Maryland Film Office (MFO), Jack Gerbes, was in attendance; Jack is a tremendous WIFV supporter who has also served on WIFV's Advisory Board for many years. Kathy Ash of the MFO, who is a past WIFV Board member, spoke on the program. The director of the Maryland Film Festival, Jed Dietz, introduced the film along with cinematographer/director Ellen Kuras. Many WIFV members were present, including Board members Arlette Thomas-Fletcher, President; Brian Naughton, Treasurer; and Sundance Award-winning documentarian & WIFV Advisory Board member, Steve Yeager.
Comments WIFV President Arlette Thomas-Fletcher, "We chose Ellen Kuras' film because she is a notable cinematographer who has received numerous awards for her work. I met and heard Ellen speak during a women's film series at the Maryland Institute College of Art in Baltimore, where she was great. Afterward, we discussed women and the obstacles we face in the film industry. We thought she'd be a perfect speaker for our 20th anniversary celebration - and she was!" more |
| Member News |
 Kim Waltrip is a partner of WonderStar Productions and has just completed her first feature film as a Producer. ADOPT A SAILOR starring Bebe Neuwirth, Peter Coyote and Ethan Peck, was filmed in New York, on the USS WASP and in Palm Desert, CA, where she had the pleasure of employing several Palm Springs Women in Film & Television members. She is currently producing a short film that will be shot in Princeton, NJ in October and has several other projects that are optioned and in development including one that will again be shot in the desert communities.
Kim started her career as a top International model with the Wilhelmena Modeling Agency, transitioned to acting parts in television and film and now considers producing her passion.
Kim is a proud Board Member of PSWIFT and a desert trustee for The Olive Crest Homes for Abused Children.
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One member blogs her experience at the Mini-Summit
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Cynthia Salzman Mondell, member WIFTI Membership Committee from the WIF Dallas chapter, shared details and pictures of her experience on the WIF-D website. Read about Cynthia's experience here. |
| WIF Director's Panel at Park City |
 After receiving a tremendous response to their 2007 Sundance Film Festival panel, WIF Los Angeles was invited back to host another panel exploring how a filmmaker takes an idea from the page to the screen, and how a producer can use new technologies to sell and distribute her projects. The panel was hosted by Sundance/WIF Chair Lucy Webb. Panelists included actress Patricia Clarkson, screenwriter Pamela Cuming, director/producer Amy Redford, DP/director/writer Ellen Kuras, director/writer Lauren Greenfield, director/screeenwriter Sharon Maguire and director Marina Zenovich. |
| WIFTI Celebrates 10th Anniversary Year |
 Women in Film and Television International (WIFTI) celebrates the Tenth Anniversary of its founding this year. Started by women from existing chapters around the world, WIFTI's charter and structure were developed during the first official WIFTI World Summit in New York City in the fall of 1997. This dedicated group of women from the United States, Canada, United Kingdom, Europe, the Caribbean, Latin America, Africa, Oceania and Asia worked diligently to form the "umbrella" network linking all of the chapters worldwide. While some chapters have well over 2000 members and others have less than 100, all chapters have an equal say within the WIFTI network. Linked by gender and a passion for the Industry of film, TV or related media, WIFTI member chapters stay in touch regularly via email, phone calls, visits, World Summits and the website www.wifti.org.
Women In Film and Television International is dedicated to advancing professional development and achievement for women working in all areas of film, video, and other screen-based media. To accomplish this goal, WIFTI provides networking & learning opportunities, scholarships, a film finishing fund, a presence at the major worldwide film festivals, as well as offering help & encouragement to women who aspire to work in the film & TV industries from developing nations to countries with established industries. www.wifti.org
A benchmark of WIFTI's success so far is the biennual WIFTI World Summit. Held every two years, WIFTI World Summits present WIFTI members from around the world with the chance to meet face-to-face to share ideas, network and learn while developing new projects & co-production opportunities. The last WIFTI World Summit took place in 2007 in Toronto, Ontario, Canada, drawing women from 21 WIFTI member chapters worldwide for a total of close to 600 participants.
The WIFTI World Summits are preceded by Board of Directors meetings called Mini-Summits where the new WIFTI Chair, Vice Chair, Treasurer and Secretary are voted upon. WIFTI Chairs include the recently elected Chair, Eileen Hoeter of Vancouver, British Columbia, Canada and previous Chairs: Fiona Milburn of Auckland, New Zealand; Muriel "Mike" Peters of New York, New York, USA; Ina Fichman of Montreal, Quebec, Canada; and the first Chair, Carol Savoie of Los Angeles, California, USA.
WIFTI also offers a variety of programs, grants and events including professional development opportunities such as the on-line "Producing in Latin America." For the past two years, many WIFTI chapters worldwide have marked International Women's Day on March 8 by screening the WIFTI Short Film Showcase simultaneously on different continents. The Showcase features short films by women which are garnered from different sources including the WOW International Film Festival in Australia and the NYWIFT/Hamptons International Festival's To The Point: Women Telling Tales Through Media event, among others. WIFTI routinely hosts receptions, in conjunction with member chapters, at film festivals in Cannes, Berlin, Banff and elsewhere. Special event fundraisers also have occurred, including "Hollywood Meets Bollywood" and "Celebracion Latina Night" in New York and Washington, DC respectively. Sometimes grants are given to emerging chapters, as well as the WIFTI Devorah Foundation grant awarded on an annual basis to support special projects, training, professional development and/or mentorship opportunities for emerging women filmmakers and/or emerging WIF film/TV communities around the world. The first chapter of Women In Film was begun in 1973 by a group of female producers in Los Angeles, California, USA who believed that it was important for women to network and support one another in the predominately male controlled environment of Hollywood. Other women in the Industry heard about the success of the LA chapter and quickly followed suit. Chapters spread throughout the US to Canada, then elsewhere across the globe. Currently, chapters must be in existence for over one year to officially join the WIFTI network, when a yearly fee of $2 per paid member is assessed as dues; before one year, a probationary period allows emerging chapters to receive advice & counsel from the expertise of other chapters and the WIFTI Board of Directors. WIFTI World Summits: WIFTI World Summit 2007: TorontoJuly 16-19, 2007 at the Park Hyatt in Toronto, Ontario, Canada WIFTI World Summit 2005: Los Angeles
October 23 - 26, 2002 at The Ritz Carlton Rose Hall Hotel, Montego Bay, Jamaica WIFTI World Summit 2000: London October 11 - 14, 2000 at Canada House, Trafalgar Square, London, UK. WIFTI World Summit 1998: Los Angeles: November 11 - 14, 1998 at the Century Plaza Hotel & Tower, Los Angeles, California, USA. WIFTI World Summit 1997: New York: September, 1997, New York City, New York, USA. In the 10 years prior to the original New York Summit, informal international summits with chapter presidents were held in Vancouver, Canada; Calgary, Canada; Atlanta, Georgia; Dallas, Texas; Los Angeles, California; and Washington, DC.
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TELL US ABOUT IT
WIFTI News is published and distributed quarterly. However, we welcome news and calendar events year round for inclusion on the website. In each edition, we will publish articles and photographs and encourage you to send your chapter news and event information. Share what your chapter is doing and find out what's happening with our WIFTI sisters around the world! Send your news to communications@wifti.org
Credits:
Communications Chair: Gayle Economos, WIFV-Maryland
Communications Committee Member: Laerke Morell Pedersen, WIFT-Denmark
Board and Mini Summit Photos: Mairi Gunn, WIFT-New Zealand and Dorothy Rompalske, NYWIFT, Cynthia Salzman Mondell, WIF.Dallas
Web producer: Anne Darer, NYWIFT
WIFTI | c/o NYWIFT | 6 East 39th Street | New York | NY | 10016
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